
This is the first show Obadiah will have played together in about five years. When the offer came through (not a week before the show), we all figured, “why not?” I don’t think any of us were certain as to what exactly was going to happen at our first scheduled session / rehearsal. That being the past now, I would say that it feels as if we never stopped in the first place. I won’t say that, though, because I feel we are all actually much better musicians now with a more mature sound then what it was when we left off.
This is likely going to be a rare one off as drummer, Josh Russell, will be shipping out to Oregon in just a few weeks. So come on down and see what Obadiah has become. You will not be disappointed.
Click to download the track.
“All of Me All of Us” – Arrison Kirby
Yes, friends. I began to use my soundcloud account (see below). Here is the first offering…something I already offered before. That pesky “All of Me All of Us” song I know not what to do with.
Initially, it was a commissioned piece. I had the music fleshed out, but the lyrics were more shit out. The person paying for it agreed, so I rewrote it from a more inspirational place. A bit too inspirational perhaps, because I think the end result was over that second party’s head. Who knows? Maybe it just sucks.
In any case, this shit’s just been sitting around with no home…pissing me off. I passed it along to Steve Wildsmith for one of his articles, but I never shared it directly on here. Here it is now, though. Why? Because I wanted to use SoundCloud. That’s what this post is ultimately about.
Written, recorded, arranged, produced and performed by Arrison Kirby.
Click to download the tracks:
“Champagne Fishing Hole”
“Wrong Way Down a One Way Channel Backwards”
“New Beginnings”
“Afraid of the Ghost”
“Waiting”
“Bristol”
“Dane’s Domain”
“Monkey Parade”
“Leonard Skeonard”
There is a nice kind of edginess on this session. A good mix of experimentation, improvisation, and expansion. We additionally did a little more instrument swapping than we had prior. Plus we did not use any electronic beats in this session. Of course, there is a likely tolerable level of “offness” here and there, but few and far between all the juicy rewards.
“Champagne Fishing Hole” – This was how the session opened…with Megan rapping over Dane’s drums and Katie’s omnichord volume flushing. I was still playing with shit in the control room, so I didn’t get in on it straight away. This is completely to the track’s credit.
“Wrong Way Down a One Way Channel Backwards” – I had accidentally set off my looper pedal. Then I just went with it.
“New Beginnings” – This is a pleasant little, beatless version. Katie opposed my guitar with ukulele and Rachel took over the omnichord. Dane played bass.
“Afraid of the Ghost” – This was one of the improvised songs from the last session. I transcribed it over to a chord sheet and changed a few lines from the lyrics. Two in particular, which really made no sense. It’s a simple song, but I’ve come to really like it, all in all.
“Waiting” – This is Dane’s song all the way. He wrote it, is singing it, and playing guitar. He recorded a really great countryish version of it, which you can listen to on his Myspace page.
“Bristol” – This is totally the best version of this we have done. We knew we had it more complete the moment we took it at that new pace.
“Dane’s Domain” – Dane started this badass bassline up and, though I noodle sloppy at times, I could not resist joining in. The girls handled light percussion in the back. I think we should build on this.
“Monkey Parade” – This is the variation of “Katie’s Waltz” that we have currently arrived at. This one is a lot more passionate and unrestrained.
“Leonard Skeonard” – I’m guiding the drums on this one. Though I fumble them at the end, I still think this is a nice closing track. Dane is playing a soaring mess of guitar solos over Katie’s always otherworldly omnichord.
Katie Collins – ukulele, omnichord, bass
Megan Driscoll – vocals, flute
Dane Hill – drums, bass, guitar
Rachel Jae – axillary percussion, omnichord
Arrison Kirby – guitar, drums, vocals
Obadiah
Obadiah EP
2005
“Old Country Gaffer”
“13 Simons”
“Return”
“Future”
Written and produced by Obadiah
Josh Lunsford – vocals, keys, electronics
Aaron Shugart-Brown – vocals, guitar
Arrison Kirby – keys, electronics
Nathan Brown – bass
Josh Russell – drums
Dustin Basalla – auxillary percussion
Artwork by Josh Lunsford
Recorded at El Studio, Knoxville, TN.