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This session began as a semi-regular Never Sorry set without Dane. The girls and I were having some trouble breaking out of the mediocre, though we did get some newer versions of things in line for a good future nail down. Basically, though, it was a short night that was more building than interesting.
Katie and Rachel cut out relatively early, each for their own reasons. Not content to leave a record of practically nothing, Megan and I pressed forward with beat, bass and vocal improv. DJ Modifi, again, was not present in person, but we used his beats for the final track.
The recording, itself, could have been better had I ran Megan’s microphone directly into the board, rather than into a board into a board as we usually do. Here, it’s just too minimal for that and the result is this terrible hiss that persists throughout. Eventually, you may forget that it’s there as you listen…but it drives me crazy.
“What is This? (David Dalton Returns to the Sea)” – Megan didn’t have much to say at first, what with me all but shoving a microphone in her mouth and demanding she say something. I covered it myself by the second half, though. David Dalton is one of my personal heroes. I used to play in a hip hop band with him. It was called Flashmob. We used this beat relatively close to the end of Flashmob’s brief but powerful tenure. So it’s natural that my own vocal musings would begin mentioning that. Eventually it builds into exactly what it says in parenthesis up there in the song title: David Dalton returning to the sea. He is, after all, David Dolphin: The Porpoise with a Purpose.
“Life is Terrible” – I may have to make an executive band decision that Megan doesn’t talk about her job anymore at sessions. When such dialog bleeds into the music, you get this. It’s nicely sung…but very depressing.
“Party USA or Something” – I let someone secret hear this one and they remarked that it sounded like a Miley Cyrus song. I have to concur. That sample is from the song “Dime” by Cake. Also note my only vocals on this one: an interpolation of “Sweet Jane” by the Velvet Underground.
“Stand By Me” – A cover of the Ben King classic. She’s singing a lot better than I’m playing the bass. For whatever reason, I thought it would make some dumbass artistic statement if I played the whole song on mostly open strings, focusing not on variety, but cadence of simplicity. In the end it works…but I might should have actually stopped and thought about it somewhere in the five or so takes we did. That’s the same beat from “Free Day.”
“Forecast: Marked” – This beat was created by DJ Modifi and I love it. This is a mostly instrumental track and probably the best of this bunch.
Megan Driscoll – vocals
Arrison Kirby – beats, bass, vocals
DJ Modifi – beat composition