propecia juvenile hairline

Posts Tagged ‘Megan Driscoll’

Pilot Light Rehearsal – 10.19.2011 – Never Sorry [Arrison Kirby, R.J. Hill & Dane Hill]

Click to download the tracks:

photo by Maurita Roman

“Starve it Out and Never Go Hungry”
“Blue”
“Laundry”
“Cute Little Echo”
“The Finger Wag”
“Michael in the War”
“House of Satan”
“Dayman” (Charlie Day)

So this is our rehearsal session from our show on October 20th, at the Pilot Light in Knoxville, Tennsee, with Kishi Bashi.  This was recorded the evening before the show.  Obviously, we took a more minimal approach this time, slimming down to a trio for this recording.  As usual, that’s not quite how it went at the show, with the last minute addition of Megan Driscoll.  Kishi Bashi also joined us for the finale cover of “Dayman,” as made popular by the FX program, It’s Always Sunny in Philadelphia, as well as an impromptu improvisational session at the end of the end.

On the recording, as during the live performance, “Dayman” bares a triumphant intro segment.  During the live set, we performed with a casket laid out in front of the stage.  At this point, the casket was opened, releasing helium filled balloons and light beams.  A happy end to an otherwise rather dark set.

Dane Hill – bass, vocals
Rachel Jae – omnichord, vocals
Arrison Kirby – keys, beats, vocals

 

Thank you for attending!

photo by Maurita Roman

Thanks to everyone who came out to the Pilot Light for Kishi Bashi and Never Sorry last Thursday.  I’m really really glad that new people were exposed to Kishi Bashi’s music.  And thanks for sticking around for Never Sorry, also.

If anyone has pictures or video they would like to share, holla at me.  You can check out some video of the Kishi Bashi set on Maurita Roman’s YouTube account.

There is a massive interchange of energy going on in America right now.  Why fight it?

 

Beach Business – 6.12.2011 – Never Sorry [Arrison Kirby, Katie Collins, Megan Driscoll, Rachel Jae & Dane Hill]

Click to download the tracks:

“Laundry”
“Succumb When it Counts”
“Michael in the War”
“Moon Rest Over Trees”
“Karma Chameleon”
(Culture Club)

This was our last Never Sorry session before Katie moved to New York and Megan to Ohio.  You’d think it would be epically emotional or something, but to me it sounds like beach music, hence the title.  It’s a good laid back feel with moments of appropriate tension.

These are possibly the best versions of “Laundry” and “Michael in the War” recorded so far.  We used beats on both of them, allowing Dane to jump on the bass.  I’m particularly fond of the break down in “Michael.”

“Moon Rest Over Trees” was our opening jam, but I felt it better positioned where it is in the line up.  The other improvisational piece is “Succumb When it Counts” and it features me on drums, Dane on guitar and Katie on the drums.  These are also the same play positions used for the session closure, a slowed down cover of Culture Club’s “Karma Chameleon.”  This cover was Dane’s idea.  He lead us through it and also sang.  I like it a million billion times better than the original.

Katie Collins – omnichord, bass
Megan Driscoll –  flute, tambourine, vocals
Dane Hill – drums, bass, guitar, vocals
Rachel Jae – auxillary percussion, vocals
Arrison Kirby – guitar, beats, drums, vocals

Residual Modes – 5.18.2011 – Never Sorry [Arrison Kirby, Katie Collins, Megan Driscoll, Rachel Jae, Dane Hill & Samuel Williams]

Click to download the tracks:

“Really Horrible Shit is Popular”
“Finite Mass”
“Us”
“Laundry”
“Via Chicago” (Wilco cover)

This session is filthy.  It plugs on, unapologetic and held together only by the semen everyone ejaculated from their instruments.  There is unfamiliar territory here, taken from the deepest depths of feeling through the darkness, up to epic highs of triumph and grandeur.

“Finite Mass” was the warm up jam this session, but I didn’t feel it was the best way to introduce the session.  “Really Horrible Shit is Popular” seemed much more in-one’s-face and abrasive.  A better way to begin sometimes…definitely this case.

Yeah.  We cover Wilco at the end.  The vocals are terrible.  I couldn’t really remember the vocal nuances for shit and barely knew the lyrics.  So if you can put up with that karaoke bullshit, you’ll find some very nice music underneath, most of the time.

Katie Collins – omnichord, keys, ukulele
Megan Driscoll –  flute
Dane Hill – drums
Rachel Jae – auxillary percussion
Arrison Kirby – guitar, keys, vocals
Samuel Williams – banjo

“Michael in the War / Give Peace a Chance” by Never Sorry – at Le Carnival des Autres – 1010 Gallery, Knoxville, TN – 5.6.2011

Here is another clip from the footage taken by Maurita Roman at Le Carnival des Autres from back in May. This one is not as consistently strong as “Until I Die (Rum Blues)” was, but it’s the only other complete video of an entire song – or a two song sequence in this case.

So yeah. It’s a somewhat frantic push of “Michael in the War,” segueing into John Lennon’s “Give Peace a Chance.” And of course, I never know the verses. Just the chorus.

Some Business Here – 5.18.2011 – Never Sorry [Arrison Kirby, Katie Collins, Megan Driscoll, Rachel Jae, Dane Hill & Michelle Sanders]

Click to download the tracks:

Trimper Rides, Ocean City, Maryland

“President Elect”
“Trimpers (Beach)”
“Dead”
“House of Satan”
“Until I Die (Rum Blues)”
“Laundry”
“Fuck City”
“Michael in the War”
“Trimpers (Ocean)”

This was the first session we had with this many people since Le Carnival des Autres.  In other words, this was our first slide back into our beloved full on electro rockin’ sound.  Samuel didn’t make it to this one, but Michelle Sanders joined us for an amped up version of “Until I Die (Rum Blues)”.

There are a couple of jams, “President Elect” and “Fuck City.”  The latter being the looser and more amusing.  There are also a couple different versions of “Trimpers” here.  Both incorporating synth bass, but two very different styles.  Also, note the new song, “Laundry.”  I began writing that one about [some chick] but wasn’t able to finish it until it became applicable to [a different chick].  I think it has a Talking Heads feel to it.

Katie Collins – omnichord, ukulele
Megan Driscoll –  flute, tambourine, vocals
Dane Hill – drums, bass, vocals
Rachel Jae – auxillary percussion, vocals
Arrison Kirby – guitar, keys, beats, vocals
Michelle Sanders – vocals

Conversation Pieces – 4.06.2011 – Never Sorry [Arrison Kirby, Katie Collins, Megan Driscoll, Rachel Jae & Dane Hill]

Click to download the tracks:

“Trimpers”
“Afraid of the Ghost”
“House of Satan”
“Dead”
“Cute Little Echo”
“Dicks and Tits”

This was our first acoustic session in preparation for Le Carnival des Autres.  Though Samuel Williams had joined us on stage at the Pilot Light not a few weeks later, he was unable to attend this one.  I’m not going to lay out each song and what’s up with it because, obviously, there isn’t anything that has been posted before (except “Dicks and Tits” but we’ll get to that).  Suffice it to say that these are all very stripped down versions of some old standards.  Gypsy versions.

And then there’s “Dicks and Tits.”  It’s all over the place and possibly unbearable at time, but that’s why I put it last.  This was actually the first of three improvisational group spiels in a row.  The other two were titled “Rachel N” and “Negro Gingé.”  It’s doubtful those two will ever be shared on this site.  There are several reasons for that but isn’t “Dicks and Tits” enough anyway?

Katie Collins – omnichord, ukulele, vocals
Megan Driscoll –  flute, harmonica, tambourine, vocals
Dane Hill – guitar, vocals
Rachel Jae – auxillary percussion, vocals
Arrison Kirby – guitar, vocals

Depth of Darkness – 3.16.2011 – Arrison Kirby, Megan Driscoll, Nathan Brown & David Dalton

Click to download the tracks:

“Anemone” (Brian Jonestown Massacre)
“Afraid of the Ghost”
“Cute Little Echo”
“Blue”
“House of Satan”
“Single Politician”
“Reading Rainbow”
(Horelick, Kleinman & Weir)
“The Whole Planet What?”

This was a rehearsal for the March Pilot Light show.  Only Megan, Nathan and myself were able to make it, which forced us to embrace minimalism.  We did so electronically.  David showed up for the last two tracks and filled things out for new levels.

I’ve posted most of these songs a million times a million ways, so instead of a song by song run down, I just want to point out a few things.  First, as already implied, this is kind of a dark, electro session.  Something of a Hypencrunk / Never Sorry hybrid.  This version of “Blue” is rare in that Megan sings the vocals, as Rachel was not present.  Also, that’s David on the vocals for Reading Rainbow and bass for the epic, “The Whole Planet What?”

Arrison Kirby – beats, keys, guitar, vocals
Megan Driscoll –  flute, harmonica, tambourine, vocals
Nathan Brown – keys, electronics
David Dalton – vocals, bass

New Years 2011 – 2010.12.31 – Never Sorry / Wesley Wyrick – [Arrison Kirby, Katie Collins, Megan Driscoll, Rachel Jae, Dane Hill and Wes Wyrick]

Click to download the tracks:

“Untitled as Yet”
“Undershots”
“Kiss Me On My Dick (For New Years)”
“8.16”
“Blue”
“Moo Year” (Wesley Wyrick solo set)

So we decided to have a very last minute, quietish but open New Years session. I was really really sick and also got drunk. I stayed awake and played music as long as I could stand to. Wes Wyrick [American Panda, Soulbot, Star Mountain] joined us with his sound as well. Eventually the night culminated into a viewing of Harmony Korine’s Trash Humpers.

“Untitled as Yet” – I know I’m playing drums on this one and it’s totally way different than any way we’ve played it before. I think Dane and Wes are both on guitar maybe? I don’t know. I can’t pick this apart. It’s really bad ass though.

“Undershots” – This is a pretty full on Never Sorry / Wes Wyrick collaborative track. Possibly my favorite among these all. There’s something foreign and playful to it. Wes is definitely on his electronics for this one.

“Kiss Me on My Dick (For New Years)” – I had no idea about this song until we were playing it. Apparently, though, it had some preliminary attention focused on it by Rachel and Dane. So I presume they wrote it, and I can say with certainty that they introduced it to me. In any case, this was what we were all doing when we crossed into 2011. Notice it’s only got false countdowns. This was intentional.

“8.16” – This is apparently me solo. We weren’t running through our normal set up. We were all plugged into a single board, which was plugged into the recording board, plugged into a receiver, which was carrying the music to speakers upstairs. So when I played this shit through that set up, it came out like this. All jitter water or something.  Normally this is the song called “Sarabeth.”

“Blue” – I guess we couldn’t resist the old standard. Good job on it, really.

“Moo Year” – This is Wes Wyrick’s 23 minute continuous set from that night. He called it something else initially, but I forget what it was. Then I saw him somewhere recently and he said he wanted to call it “Moo Year.” So cool. It is.

Katie Collins – omnichord
Megan Driscoll –  flute, tambourine
Dane Hill – guitar, bass, vocals
Rachel Jae – auxillary percussion, vocals
Arrison Kirby – guitar, words, beats, keys, drums
Wesley Wyrick – electronics, beats, guitar perhaps

“Until I Die (Rum Blues)” by Never Sorry with Lulu Skidoo – at Le Carnival des Autres – 1010 Gallery, Knoxville, TN – 5.6.2011

This weekend, Never Sorry played a crossdressed acoustic set at Le Carnival des Autres at 1010 Gallery in Knoxville.  In this video, we are joined by Lulu Skidoo (aka Michelle Sanders) for this performance of “Until I Die (Rum Blues).”  She wrote these lyrics.  Myself and Megan Driscoll fleshed out the music.  Then, obviously, everyone else together brought it into form.

This video was filmed by Maurita Roman. I have at least one more good recorded excerpt from the show and it will likely get posted soon.  For now though…