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“Automobile” (NWA / Parliament cover) – Never Sorry

Yay!  The band has a video!

This song and the video were recorded on 12.1.10 at a session that only included myself, Katie Collins and Megan Driscoll.  It’s cover of the NWA song, “Automobile,” (as they reformed from the original by Parliament) from their highly misogynistic, but wonderfully produced Niggaz4Life .  It’s different than the version we did in the last session.  That one was rockin’.  This one is more chilled out and electro.

Lots of offensive language on this.  Again, I’m no fan of standard camp.  But this isn’t camp…these are gangstas!  They mean it!

And as always, if you’d like to download the MP3, here you go:

“Automobile” – Never Sorry

We Are in Love – 11.28.2010 – Never Sorry [Arrison Kirby, Katie Collins, Megan Driscoll, Rachel Jae and Dane Hill]

Click to download the tracks:

“Free Day”
“Afraid of the Ghost (Hell)”
“Monkey Parade”
“People’s People”
“Tender” (Blur cover)
“Single Politician”
“Automobile” (NWA cover)
“Blue”
“Afraid of the Ghost (Heaven)”

This session was awesome.   Recording these things live, we have to have a certain degree of it set up and sounding right for the room before we even begin.  So I will be the first to admit that the vocals came out a little bit too quiet, and beyond repair…at least in my microphone.  Elsewise, everyone had their shit together and everything felt really full and booming.  This is the kind of spread that makes a person feel very lucky to be engaging creatively with these other persons.

We tackled two new cover songs in this session.  One by Blur and one by NWA.  I’ll spare you the details and give you the standard run down:

“Free Day” – Once again, our opening warm up jam works perfectly as the session opener.  Dane is rocking the mandolin on this one, Rachel took over omni duties.  Katie had not yet arrived.  I love how deep the beats are on this one, and how beautifully all the instrumentation builds around them.

“Afraid of the Ghost” – We had not done this one in a minute, but here are two new and very different versions.  The “hell” version is slow and moody.  It sounds familiar to me.  I initially want to compare it to Pink Floyd, but I don’t think that’s it.  The “heaven” version is a little crazier and certainly more fast.  I soaked out the beginning of this version with some pretty intensive electronic slamming.  Also, I’d like to note the perfect placement of Dane’s drumming choices on both versions.

“Monkey Parade” – This one gets better the more we do it.  I added keys to this one, trading off between them and guitar.

“People’s People” – We had not messed with this song in months.  Then suddenly, it pops up again.  I think it was Megan’s idea to take a current crack at it.  I gotta say…despite the inability to discern what the vocals are saying, this is possibly those most solidly formed, while still remaining upbeat, version of this we have done.

“Tender” – Alright!  A Blur cover!  The thing I love about this is that, when I introduced this song, I don’t think anyone else had heard the original before.  This recording is about the 6th take, at which point, they still hadn’t heard it.  So basically, that’s one more reason to love the people playing on this song.  And how about those vocals?  That’s Rachel on the mains, with Megan and I harmonizing as applicable.

“Single Politician” – Of all the ways we have tried this song, this is my favorite arrangement.  Dane and I actually fleshed this version out right before our show with Katie & The Bass Drums back in August.  This is just the first somewhat solid recording we have done of it.

“Automobile” – This is a cover of an NWA interpretation of a Parliament song.  Anyone that was in middle school when Niggaz4Life came out is likely familiar with this one.  It was the novelty “country song” from that album, chalked full of Easy-E and others spouting off embarrassing, gruff sexual yearns.  I thought it was important to keep all the dirt and smut in tact, though normally I don’t talk this way.

“Blue” – We did this version before Katie had arrived.  I must say, I completely adore this version for it’s minimalism.  And, damn, Rachel can belt this one out.

Katie Collins – omnichord, bass
Megan Driscoll –  flute, harmonica, vocals
Dane Hill – drums, bass, mandolin
Rachel Jae – vocals, auxillary percussion
Arrison Kirby – guitar, beats, vocals