Click to download the track.
“Arctic Low” – American Panda vs. Flo Rida vs. Arrison Kirby
I’m not entirely sure why I put these things together. I LOVE the original American Panda track, “Panda Travels to the Center of the Arctic Circle.” As for Flo Rida’s dance classic, “Low,” well I just can’t believe that song is over four minutes long. Ridiculous.
But hey! The Panda song is actually longer, albeit less grating for sure. I sped it up as a result, matching it to the vocal speed, rather than the vocal speed to it. That kinda wrecks the magical feel that “Arctic Circle” essentially has, replacing it with whatever this is.
I made this video a few years back and the song years before that. It’s been on YouTube for a while, slowly gaining viewers without quite cracking that viral threshold.
Obviously, the whole thing revolves around 50 Cent and j-pop mashed together. In particular, schoolgirl pop, Morning Musume. This holds predominantly true for the video. The song, in addition to containing Morning Musume and Shiina Ringo samples, additionally borrows from Weezer and Wilco covering Steely Dan.
My favorite thing about this video is that Universal Music saw it and had deliberations as to whether or not it would be taken down. In the end, they let me keep it up. Thanks, Universal Music!
If you’d like the track by itself to put on your ipod or whatever, here you go…
MP3: “Wanksta (Arrison Kirby Remix)” by 50 Cent vs. Arrison Kirby
Enjoy!
Click to download the track.
“Inklings (Two Missing B’s and a Microphone)” – Senryu vs. Arrison Kirby vs. Beck
“Inklings” was the first song from the new Senryu album to REALLY hit me. It did the first time I heard it and the effects lasted a good deal beyond that time.
Its BPM is just a little bit faster than that of some bonus beats from Beck’s “Where It’s At” session. So I slowed down Beck and stuck the two together. After a little bit of tweaking, editing and remastering, the result is a “clubbier” version of “Inklings.”
I think there is something psychic intertwining these two pieces of music intrinsically. The imposition of one over the other is nearly dead on as the course of each song changes. Perhaps it’s merely a fanciful, random intermingling of sounds in time with each other, but I think there is something more veiled and godlike at play.