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Posts Tagged ‘Blur’

Aries by Arrison Kirby

Arrison Kirby
Aries
2013

“Big Bang”
“Born Into Fire”
“New Beginning”
“Michael in the War”
“Battery Box”
“Bloom”
“Bristol”
“Scrappy”
“Predawn”
“On Your Own”
“Explosions in the Sky”
“Kactus Trilogy”

 

Written, performed, produced, recorded, mixed and mastered by Arrison Kirby
but for the following exceptions…

Bernie Worrell (4.19) cowrote and played keys on “Scrappy”
Damon Albarn (3.23) and Blur, wrote “On Your Own”
Jacynda Minor (4.18) designed and painted the album cover
Jakob Esaw (4.6) wrote and spoke the monologue (The Monstros Cities
on the Border of Electro City) on “Kactus Trilogy”
Jared Stoneberg (3.28) sang backup on “Bristol”
Jenna Getsi (4.1 ) sang backup on “Michael in the War”
Kactus (4.17) cowrote, spoke and sang on “Kactus Trilogy”
Matthew Zingg (3.25) Drew the traycard picture, cowrote, played
bass, and spoke on “Bloom”
Tyler Newton (3.23) played bass on “Bristol”
Zach Fallon (4.11) played bass on “Michael in the War”

Dogs: Remy and Maggie
Recorded at El Studio, Knoxville, TN
Additional recording by Andy Janowiack and Jenna Getsi

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Click here to stream on Spotify

Ashes to Ashes

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Ashes to Ashes

“Intro” – Barack Obama
“Airline to Heaven (Live at Farm Aid 2005)” – Wilco
“That Highway Won’t Get You to Heaven” – Beck
“Drugs” – Talking Heads
“Black Satin” – Miles Davis
“Caramel (William Orbit Special)” – Blur
“Karaim” – Electric Masada
“Ghost Town” – The Specials
“Ladytron” – Roxy Music
“Star Eyes (I Can’t Catch It)” – Danger Mouse & Sparklehorse with David Lynch
“Do You Realize? (live at Hollywood Cemetery, Los Angeles, CA)” – The Flaming Lips & Edward Sharpe & The Magnetic Zeros

Here is a mix that is fitting for today, the ten year anniversary of the World Trade Center bombing in New York.  It’s not a bunch of country songs, but something a little deeper than kickin’ Sadam’s ass.  I bet your foot would go right through his ass at this point, anyway.

I wanted to make a mix that was spiritual, political, emotional, dark and beautiful at once.  Something to usher in the fall and its massive push of death and loss in nature, hence around us.  I aimed for this mix to express some endearment for the finite, in general, when relative to a world of suffering and pain.  There should be peace in knowing that all things shall pass…not fear.

The whole idea of “never forget,” however, is counter to this notion.  Do we really want that to be our mantra in relation to a national tragedy?  We are holding this against you forever?  Transformation does not always have to be a harsh lesson, especially ten years later.

 

woman tamer

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woman tamer

“I Wanna Be You” – Paul McCartney
“All Your Life” – Blur
“Happy Flower” – Nellie McKay & The Brooklyn Philharmonic Orchestra
“Fresh Hex” – Tobacco & Beck
“I Feel Ya Strutter” – of Montreal
“Silent Bell” – Radiohead vs. KT Tunstall vs. Overdub
“Fin” – Pavement
“Forever Again” – Eric’s Trip
“Enemy Gene” – Kevin Barnes

Love can be so sordid.  It makes sense and then it doesn’t and it drips all over the floor and messes up your life.  Everyone involved just wants a safe boat on the sea, but can you drop all expectation from your shipmates?  How far does unconditional love really go, anyway?

The title of this mix is meant to be somewhat ambiguous, but ultimately pertaining to the trial and error of any worthwhile relationship.  The most likely association is that of a woman being tamed.  Like a lion tamer, but taming a woman.  The lion connotation also works well considering the  astrological influence for this mix.  (Leo.)  On the other side, the title can also be interpreted as a woman who tames.  I know there are a lot of them out there, and many of them are Leos also.

So yeah.  It’s still the beginning of August.  We’re in the lioness’s den and we all just have to deal with that until the asshole Virgos (love you guys!) take the crown.  Until then, I guess this mix is for all those lovely Leo ladies out there.    Thanks for the strange depth.

Universal Rejector

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Universal Rejector

“Face Your Doom” – Daniel Johnston & His Hyperjinx Tricycle
“Stealing Home” – Shivaree
“Beauty” – Linda Thompson
“Nude” – Radiohead
“Cat Faces” – Ugly Cassanova
“Black Wave” – The Shins
“Go or Go Ahead” – Rufus Wainwright
“I Was a Landscape in Your Dream (Grizzly Bear Remix)” – Of Montreal
“Caramel” – Blur
“Safari Love” – The Beatles vs. The Pixies vs. Aretha Franklin vs. Loo & Placido
“I Lose” – Daniel Johnston

Holiday time again.  The weather in Knoxville right now is pretty damned nice.  Later tonight, though, on the eve of Christmas, we’re supposed to get some snowy snow.  That sounds alright to me.  As for you, you might want to wait until then to listen to this mix.

I know the title is bleak, but I wanted to throw something up for these winter holidays.  This is good, quietish, atmospheric mix that seems to sound good  on cold nights.  Plus holidays are kind of bleak anymore anyway, aren’t they?  Everybody bitching about which is the best one while trying to sell you shit you don’t need so that you can give it to someone else who also doesn’t need it and they can, in turn, give you something else you don’t need.   Everyone keeping it up because it’s traditional or something.

But hey!  I’m no Scrooge.  Not entirely.  The sad desolation of winter is strangely pacifying if one can immerse fully in the death and coldness going on around him or her.  Those things make you appreciate the living much more.  So plastic aside, it is good that there is something that changes our routine as the holidays tend to do.

For all that somberness, and warmth inside of the cold, there is this mix.

We Are in Love – 11.28.2010 – Never Sorry [Arrison Kirby, Katie Collins, Megan Driscoll, Rachel Jae and Dane Hill]

Click to download the tracks:

“Free Day”
“Afraid of the Ghost (Hell)”
“Monkey Parade”
“People’s People”
“Tender” (Blur cover)
“Single Politician”
“Automobile” (NWA cover)
“Blue”
“Afraid of the Ghost (Heaven)”

This session was awesome.   Recording these things live, we have to have a certain degree of it set up and sounding right for the room before we even begin.  So I will be the first to admit that the vocals came out a little bit too quiet, and beyond repair…at least in my microphone.  Elsewise, everyone had their shit together and everything felt really full and booming.  This is the kind of spread that makes a person feel very lucky to be engaging creatively with these other persons.

We tackled two new cover songs in this session.  One by Blur and one by NWA.  I’ll spare you the details and give you the standard run down:

“Free Day” – Once again, our opening warm up jam works perfectly as the session opener.  Dane is rocking the mandolin on this one, Rachel took over omni duties.  Katie had not yet arrived.  I love how deep the beats are on this one, and how beautifully all the instrumentation builds around them.

“Afraid of the Ghost” – We had not done this one in a minute, but here are two new and very different versions.  The “hell” version is slow and moody.  It sounds familiar to me.  I initially want to compare it to Pink Floyd, but I don’t think that’s it.  The “heaven” version is a little crazier and certainly more fast.  I soaked out the beginning of this version with some pretty intensive electronic slamming.  Also, I’d like to note the perfect placement of Dane’s drumming choices on both versions.

“Monkey Parade” – This one gets better the more we do it.  I added keys to this one, trading off between them and guitar.

“People’s People” – We had not messed with this song in months.  Then suddenly, it pops up again.  I think it was Megan’s idea to take a current crack at it.  I gotta say…despite the inability to discern what the vocals are saying, this is possibly those most solidly formed, while still remaining upbeat, version of this we have done.

“Tender” – Alright!  A Blur cover!  The thing I love about this is that, when I introduced this song, I don’t think anyone else had heard the original before.  This recording is about the 6th take, at which point, they still hadn’t heard it.  So basically, that’s one more reason to love the people playing on this song.  And how about those vocals?  That’s Rachel on the mains, with Megan and I harmonizing as applicable.

“Single Politician” – Of all the ways we have tried this song, this is my favorite arrangement.  Dane and I actually fleshed this version out right before our show with Katie & The Bass Drums back in August.  This is just the first somewhat solid recording we have done of it.

“Automobile” – This is a cover of an NWA interpretation of a Parliament song.  Anyone that was in middle school when Niggaz4Life came out is likely familiar with this one.  It was the novelty “country song” from that album, chalked full of Easy-E and others spouting off embarrassing, gruff sexual yearns.  I thought it was important to keep all the dirt and smut in tact, though normally I don’t talk this way.

“Blue” – We did this version before Katie had arrived.  I must say, I completely adore this version for it’s minimalism.  And, damn, Rachel can belt this one out.

Katie Collins – omnichord, bass
Megan Driscoll –  flute, harmonica, vocals
Dane Hill – drums, bass, mandolin
Rachel Jae – vocals, auxillary percussion
Arrison Kirby – guitar, beats, vocals

The Politics of Aging

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The Politics of Aging

“Sgt. Pepper’s Paradise” – Guns N’ Roses vs. The Beatles vs. Jimmy James
“Fine Line” – Paul McCartney
“Coffee & TV” – Blur
“Once Upon a Time” – Air
“Le Premier Amore” – Anaïs
“Golden Age” – TV on the Radio
“Strange Overtones” – David Byrne & Brian Eno
“A Sentence of Sorts in Kongsvinger” – of Montreal
“Just a Friend With the Clap” – Shirley Ellis vs. Biz Markie
“Go There With You (Radio Edit)” – Chin Chin
“Bull Black Nova” – Wilco
“Longing for a Frozen Sky” – Ernst Reijseger, Patricio Mura & Gianluca Frau
“Divine” – Sebastian Tellier
“Tonight” – Koop & Mikael Sundin

So I’m 30 years old.  Suddenly age seems to matter more.  My generation is largely discontent with the political agendas of the baby boomers.  We’re also relatively vocal about that.  Baby boomers don’t seem too fond of us, either, often opting for some weird victimization complex as their arguments against social change.  They think we’re bitter and we think they are bitter.

It’s trickier than it seems, though, because this is my parents’ generation.  People who were around for the 60’s, before the “revolution” became a televised pop concert.  I understand their victimization insomuch that most of them really did try (and often still try) to make life better for our generation and yet we largely still refuse to accept their stringent conservatism.  This so often boils down to logic vs. emotion – and that seems to be where the divide exists.  Perhaps if the baby boomers had access to the internet when they were young, gay marriage wouldn’t be such a big deal.  In any case, the two generations have a lot to sort through if any real progress in social reform is going to be made before they die and we take their place.  By that time, we may hold on to our outdated belief systems with the same jaded pretense.

For now, though, the least we can say is that things slip and slide with age.  The changing of beliefs and boundaries goes many different ways, with many different effects.  The relationship between these meandering generations is a bittersweet one.  Kids don’t want to hate their parents.  Parents don’t want to hate their kids.  But yet the kids, seemingly ungrateful to the provisions of the parents, are refusing to follow them to the end.  And the parents, disillusioned by the corruption of past hopes, have hardened to the point of taking offense to their children striving for so many of the same ideals.

I wish this mix was as crisply discernible as all that.  All that, however, is just one current observation amid a slew of new political motivations we come to take on in response to growing older.  As you try to figure them out and accept them, refer to this mix as necessary.

One for the Brothers

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One for the Brothers

“Superlangalang” – MIA vs. Super Mario Bros. vs. Johnny 180
“Underground” – Curtis Mayfield
“Wanna Be a Baller” – Li’l Troy
“Coinsequences” – Public Enemy feat. Paris
“Battle (Remix)” – Blur vs. UNKLE
“Flip Flop (Rock and Roll)” – Outkast vs. Prodigy vs. DJ Murder
“Styrofoam Boots / It’s All Nice on Ice, Alright” – Modest Mouse
“Haterz Everywhere” – B.O.B.
“Rapperfection” – Radiohead vs. Edan feat. Mr. Lif
“Swing” – Savage
“Bombs Over Bagdad (Remix)” – Outkast vs. Rage Against the Machine
“Super Terminator Sunshine” – Public Enemy vs. Super Mario Bros.

I made this mix quite a while back.  I was working as a sports bar DJ at the time and that influence bleeds through here.

Generally, I like to have a fitting reason to post a mix.  Something in time, or at least the air, that seems to fit with the music.  This one, however, is simply a good time with a little bit of aggression.  So if nothing else, let this represent some hopeful anger at the recent republican victories in the American midterm elections.

Yeah.  That works.  The accompanying picture was taken of two attendees at Jon Stewart and Stephen Colbert’s Rally for Sanity and/or Fear.  Considering what it is and where it was taken, I think that actually ties the whole thing together fairly well.

So I dunno.  Maybe the Mario Brothers can save us from all these corporatists.  Maybe they will be listening to rap music when they do it.  That’s ultimately what this mix is about.