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Archive for November, 2011

Obadiah digital reissues!

 

 

 

 

 

 

 

 

 

 

 

That’s right, everyone. Obadiah’s last two, Obadiah EP and Rebirthday are now available on iTunes, Spotify and all your finer international digital retailers.

Why not download it through Japan?

These are the first two of several reissues coming down the line for El Deth.  Expect in the near future, reissues from Hamilton Ellis, the red cloud, and a specially remastered version of Obadiah’s FIRST album, Voda.  Stay tuned and tell all your friends!

 

“Cute Little Echo” – Never Sorry

This version of “Cute Little Echo” is from the immediately aforementioned Pilot Light Rehearsal session. The video was recorded the day after Moogfest 2011 in Asheville, North Carolina. Hence the clipping of the wrist bands, and also Tapeface, my carefully crafted Halloween costume.

I feel this video gives insight into Tapeface’s real life. Just because he has tape on his face, doesn’t mean he doesn’t practice good hygiene. It does apparently make him emotional, though.

download an mp3 of the track here:

“Cute Little Echo” by Never Sorry

Pilot Light Rehearsal – 10.19.2011 – Never Sorry [Arrison Kirby, R.J. Hill & Dane Hill]

Click to download the tracks:

photo by Maurita Roman

“Starve it Out and Never Go Hungry”
“Blue”
“Laundry”
“Cute Little Echo”
“The Finger Wag”
“Michael in the War”
“House of Satan”
“Dayman” (Charlie Day)

So this is our rehearsal session from our show on October 20th, at the Pilot Light in Knoxville, Tennsee, with Kishi Bashi.  This was recorded the evening before the show.  Obviously, we took a more minimal approach this time, slimming down to a trio for this recording.  As usual, that’s not quite how it went at the show, with the last minute addition of Megan Driscoll.  Kishi Bashi also joined us for the finale cover of “Dayman,” as made popular by the FX program, It’s Always Sunny in Philadelphia, as well as an impromptu improvisational session at the end of the end.

On the recording, as during the live performance, “Dayman” bares a triumphant intro segment.  During the live set, we performed with a casket laid out in front of the stage.  At this point, the casket was opened, releasing helium filled balloons and light beams.  A happy end to an otherwise rather dark set.

Dane Hill – bass, vocals
Rachel Jae – omnichord, vocals
Arrison Kirby – keys, beats, vocals