Click to download the track.
Yes, friends. I began to use my soundcloud account (see below). Here is the first offering…something I already offered before. That pesky “All of Me All of Us” song I know not what to do with.
Initially, it was a commissioned piece. I had the music fleshed out, but the lyrics were more shit out. The person paying for it agreed, so I rewrote it from a more inspirational place. A bit too inspirational perhaps, because I think the end result was over that second party’s head. Who knows? Maybe it just sucks.
In any case, this shit’s just been sitting around with no home…pissing me off. I passed it along to Steve Wildsmith for one of his articles, but I never shared it directly on here. Here it is now, though. Why? Because I wanted to use SoundCloud. That’s what this post is ultimately about.
Written, recorded, arranged, produced and performed by Arrison Kirby.
Click to download the tracks:
This was a rehearsal for the March Pilot Light show. Only Megan, Nathan and myself were able to make it, which forced us to embrace minimalism. We did so electronically. David showed up for the last two tracks and filled things out for new levels.
I’ve posted most of these songs a million times a million ways, so instead of a song by song run down, I just want to point out a few things. First, as already implied, this is kind of a dark, electro session. Something of a Hypencrunk / Never Sorry hybrid. This version of “Blue” is rare in that Megan sings the vocals, as Rachel was not present. Also, that’s David on the vocals for Reading Rainbow and bass for the epic, “The Whole Planet What?”
Arrison Kirby – beats, keys, guitar, vocals
Megan Driscoll – flute, harmonica, tambourine, vocals
Nathan Brown – keys, electronics
David Dalton – vocals, bass
Click to download as a continuous mp3:
“Libera Me, Domine” – Ernst Reijseger And Mola Sylla
“In Excelsior Vaginalistic” – The Flaming Lips
“Night Sight” – Air
“Section 20 (Together We’re Heavy” – The Polyphonic Spree
“Subterraneans” – David Bowie
“Doll’s Polyphony” – Geinoh Yamashirogumi
“Pure Bug Beauty” – Wilco
“Chemtrails (acoustic)” – Beck
“Prophecies” – Philip Glass
“Vanities” – Charlotte Gainsbourg
“Harry Patch (In Memory Of)” – Radiohead
“It’s All Over Now, Baby Blue” – Bob Dylan
The rapture is supposed to happen tomorrow, so say some fringe Christians who have managed to bring this idea to mainstream America (and possibly beyond). If it actually does happen, and 144,000 of God’s closest friends and lovers get a free ride to heaven, then I think this would be a fitting soundtrack. For them in their ascent, of course, but also those of us who may be left behind…until we start killing each other for drugs or whatever.
This was actually something of a commissioned mix. Aaron Shugart-Brown had asked me to make a mix of instrumental, easy going music for his shop, Unarmed Merchants, in Knoxville. It’s not totally instrumental, but I feel all vocals here are light and well served enough to not get in the way.
If nothing else, you might be able to meditate or something.
Click to download the tracks:
So we decided to have a very last minute, quietish but open New Years session. I was really really sick and also got drunk. I stayed awake and played music as long as I could stand to. Wes Wyrick [American Panda, Soulbot, Star Mountain] joined us with his sound as well. Eventually the night culminated into a viewing of Harmony Korine’s Trash Humpers.
“Untitled as Yet” – I know I’m playing drums on this one and it’s totally way different than any way we’ve played it before. I think Dane and Wes are both on guitar maybe? I don’t know. I can’t pick this apart. It’s really bad ass though.
“Undershots” – This is a pretty full on Never Sorry / Wes Wyrick collaborative track. Possibly my favorite among these all. There’s something foreign and playful to it. Wes is definitely on his electronics for this one.
“Kiss Me on My Dick (For New Years)” – I had no idea about this song until we were playing it. Apparently, though, it had some preliminary attention focused on it by Rachel and Dane. So I presume they wrote it, and I can say with certainty that they introduced it to me. In any case, this was what we were all doing when we crossed into 2011. Notice it’s only got false countdowns. This was intentional.
“8.16″ – This is apparently me solo. We weren’t running through our normal set up. We were all plugged into a single board, which was plugged into the recording board, plugged into a receiver, which was carrying the music to speakers upstairs. So when I played this shit through that set up, it came out like this. All jitter water or something. Normally this is the song called “Sarabeth.”
“Blue” – I guess we couldn’t resist the old standard. Good job on it, really.
“Moo Year” – This is Wes Wyrick’s 23 minute continuous set from that night. He called it something else initially, but I forget what it was. Then I saw him somewhere recently and he said he wanted to call it “Moo Year.” So cool. It is.
Katie Collins – omnichord
Megan Driscoll – flute, tambourine
Dane Hill – guitar, bass, vocals
Rachel Jae – auxillary percussion, vocals
Arrison Kirby – guitar, words, beats, keys, drums
Wesley Wyrick – electronics, beats, guitar perhaps
This weekend, Never Sorry played a crossdressed acoustic set at Le Carnival des Autres at 1010 Gallery in Knoxville. In this video, we are joined by Lulu Skidoo (aka Michelle Sanders) for this performance of “Until I Die (Rum Blues).” She wrote these lyrics. Myself and Megan Driscoll fleshed out the music. Then, obviously, everyone else together brought it into form.
This video was filmed by Maurita Roman. I have at least one more good recorded excerpt from the show and it will likely get posted soon. For now though…